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WHAT IS THE BEST CAMERA FOR PROFESSIONAL PHOTOGRAPHY : WHAT


WHAT IS THE BEST CAMERA FOR PROFESSIONAL PHOTOGRAPHY : PROJECTOR DOCUMENT CAMERA : BEST VIDEO CAMERA FOR YOUTUBE



What Is The Best Camera For Professional Photography





what is the best camera for professional photography







    what is
  • What Is is the eighth album by guitarist/vocalist Richie Kotzen.

  • Is simply the glossary of terms and acronyms, you can find them below in alphabetic order. Fundamental concepts and acronyms may also have an associated Blog post, if that is the case the acronym or term will be hyper-linked to the respective post.

  • prize indemnity?   In everyday terms, Prize Indemnity is prize coverage without the prize risk. It's that simple.





    camera
  • television camera: television equipment consisting of a lens system that focuses an image on a photosensitive mosaic that is scanned by an electron beam

  • equipment for taking photographs (usually consisting of a lightproof box with a lens at one end and light-sensitive film at the other)

  • A chamber or round building

  • A camera is a device that records/stores images. These images may be still photographs or moving images such as videos or movies. The term camera comes from the camera obscura (Latin for "dark chamber"), an early mechanism for projecting images. The modern camera evolved from the camera obscura.











what is the best camera for professional photography - Minimalist Lighting:




Minimalist Lighting: Professional Techniques for Location Photography


Minimalist Lighting: Professional Techniques for Location Photography



Packed with incredible images and step-by-step techniques, this book is a must have for commercial, wedding, and portrait photographers working on location who want to maximize their time behind the camera and minimize their time spent hauling cumbersome lighting equipment. The tips show how to select easily portable and versatile equipment for location shoots, cutting down on the packing and porting of expensive equipment. With techniques and information on the latest technology—including battery-powered flashes and accessories—this reference shows photographers how to work with smaller and lighter-weight lighting equipment without sacrificing quality. Whether shooting portraits, landscapes, or interiors, whether indoors or out, photographers will embrace the portable approach offered in this valuable resource.










78% (15)





Thanks for the memories




Thanks for the memories







The Pittsburgh's Civic Light Opera first debuted - a performance of Victor Herbert's Naughty Marietta - in December 1946 at Pitt Stadium, six blocks from the Duquesne Gardens.

Frustrated with rain cancellations the CLO would seek a venue of its own.

On December 1, 1946 department store magnate Edgar Kaufmann and city councilman Abe Wolk declared the the city would need a new amphitheater with a 'removable' roof – two years before the CLO formed.

Four years later on February 4, 1949, Kaufmann and the city each pledged $500,000 for construction, and the search for a site began.

In February 1950, Kaufmann revealed plans for a 10,500-seat "umbrella amphitheater," drawn by architects James A. Mitchell and Dahlen K. Ritchey. The design included two, motorized "bat-like" wings for a roof. The wings were to be made out of fabric-coated plastic attached to a cantilevered, steel arm. Kaufmann pledged an addition $500,000

Schenley Park was origianlly considered, but an Allegehny County judge upheld legal opposition to that site.

Pittsburgh’s rebirth, directed by Mayor David L. Lawrence, came in the form of Renaissance I. Lawrence spear-headed a plan to give the CLO and Pittsburgh Hornets a new facility and to give Pittsburghers a multi-purpose facility. Lawrence briefly pitched a plan to to put the arena at the city's Point, possibly in the area where the old Winter Garden was located.

The result was the Civic Auditorium - later named the Civic Arena. It was nicknamed “The Igloo” by the locals.

In 1951, the Urban Redevelopment Authority's revealed a plan to re-develop a tract of land in Pittsburgh’s Lower Hill District. The area was supposed to include a multipurpose arena, a 935-family apartment complex, a motel, a parking garage and an art museum.

This is an artist's conception of the proposed light opera amphitheater in 1952. The roof in the drawing was intended to be like a folding plastic fan. The concept was used, but stainless steel was used.
Garden Party Ends with New Plan
The City of Pittsburgh and Allegheny County formed the Public Auditorium Authority in March 1953 to assist in land purchases and the construction planning.

In September 1955, the federal government approved the redevelopment plan, making available $17.4 million in loans and grants.

The Hockey News reported in the February 4, 1956, edition that it could be possible for the Pittsburgh Hornets to resume play in 1958. The demolition of 1,300 structures began on May 31, 1956 to clear 95 acres for the new facility. The Duquesne Gardens, home of the Hornets, sat three miles to the east of the new arena site and saw the wrecking ball three months later.
Original blueprint of the Civic Arena
Construction of the Civic Arena began on April 25, 1958. Originally budgeted to cost $19 million, it would take 40 months to construct. A change in the plans to make the roof retractable drove the price tag to $21.7 million.

A temporary home for the CLO, the tangerine green Melody Tent, was used first on June 15, 1959 for "The Most Happy Fella," and last used for "Destry Rides Again," on August 26, 1961.
Designer Harold Helvenston, shows off the lifting stage area inside a model of the Civic Auditorium on April 16, 1959 while the arena was under constuction.

The World’s Biggest Dome…And It Moves!

The arena’s signature retractable stainless steel dome – 417 feet in diameter and 109 feet tall- was constructed with eight 300-ton roof sections. Six of the sections were mobilized by five motors in each panel. The roof could be retracted to open the dome in two minutes. The architectural marvel – a dome without interior supports – was possible because of a 260-foot cantilever arm that supported the six moveable sections of roof.

Construction of the Arena's dome in 1959.

There were conditional restrictions for opening the roof at 300 Auditorium Place: The roof couldn’t be opened if there was a greater than 60-percent chance of rain, or if wind was blowing more than 7 mph. The arena’s lighting fixtures had to be winched back into the ceiling before any of the sections could move.
Civic Light Orchestra Concert Stage, with two dome leaves retracted.


Open for Business

Pittsburgh Mayor Joseph M. Barr and Hornets owner John Harris (founder of the Ice Capades) made the skating show the feature act of the Civic Arena’s grand opening on September 17, 1961.

The roof did open - two leafs opened - for the Ice Capades, but fears the 205x85 feet ice would melt under the 74-degree fall day forced the dome closed after 22 minutes.

The Pittsburgh Hornets emerged from five years of inactivity when they played their first game at the arena, a 2-1 loss to the Buffalo Bisons, on October 14, 1961, in front of 9,317 fans.

The first Hornets' goal at the Civic Arena was scored by Paul Jackson (right) - his only goal of the season.

The 1961-62 Hornets set many AHL records in that season: Most times shut out in a season (9); mo











Professional Headshot




Professional Headshot





Creativity is a powerful tool that everybody has. Create your own ways and styles and don't copy the ideas that this creator developes. The best ideas are to be created, not to be copied.









what is the best camera for professional photography








what is the best camera for professional photography




Commercial Photography Handbook: Business Techniques for Professional Digital Photographers






Targeting new and experienced commercial photographers alike, this invaluable guide explores the different aspects and challenges of succeeding in the industry. Approaching the subject systematically, the topics begin with determining what kind of commercial photography to pursue and how to get the training needed to carve out a niche in the market. Continuing to delve further, the topics expand to marketing techniques, negotiation skills, estimating and charging for work, maximizing profits while minimizing expenses, and ethical business behavior. Armed with this information, commercial photographers who are developing or expanding their businesses will know how to evolve and grow during periods of both prosperity and recession.










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